All your character wants is a meatball sandwich

E! True Brian Story: Though the meatball marinara sub  sandwich at Subway isn’t the greatest in the world, I still REALLY wanted one the other day.

My wife set me up with a text, describing it as “hot,” and “fresh.” I so wanted that.

Instead, my mother, who is in town, made me a homemade version. It was good, but it wasn’t what I wanted — so I was a little frustrated.

This is a struggle you should give to your fictional characters — the want something but don’t get it. True, a sandwich isn’t an appropriate plot device unless it’s an episode of FriendsBut your characters need to want something. 

Whatever that something is, even if they say that’s what they want, don’t give it to them. Frustrate him or her, string them along. And when he or she is about to burst, only give them a bite.

Hope this helps!

Plotting: I’m a believer. Are you?

Writing

Writing (Photo credit: Wikipedia)

I’m in the midst of writing my sixth manuscript. It’s the third in my Reject High teen series.

I got stuck. Like all four wheels spinning helplessly in the mud stuck.

I didn’t want to try writing out my plot.

For my first three novels, I created my characters, wound them up and let them go. My major plot points were a function of their behaviors. While I knew where they were going and how it would end up, I let them guide me through the “how.”

With this book, it was just different. I couldn’t do that anymore. My characters were letting me down (they’re teenagers, so there’s that).

So, I turned off my cellphone and iPad, stepped away from my laptop and started writing with my main character, Jason. Once I finished his arc, I worked on his love interest. Three hours later, the entire plot was done.

I’d never thought I’d say so, but I’m a believer in sketching out plots on paper now. Are you? What’s your process?

Writing teenagers in love is hard when your teenage experience sucked

I write what I know. For the most part, that results in layered characters that people fall in love with or hate. 

On the other hand, there’s writing teenagers, which I have to work hard at doing, especially when they’re in love..

I was TERRIBLE in teenage relationships. I can’t tell you much about my first love because she might actually read my blog and protest or worse, tell her version of events.

Let’s just say she knows who she is and leave it at that.

I’m currently writing a love story for my protagonist in my Reject High teen series and he’s trying to figure out if he’s in love or just “in serious like.”

For years, I thought I was in love when I said it the first time. Then, I realized it wasn’t love any other time but one far later than I thought. Think back with me: how could you tell the difference between love and “like” as a teenager?

What indie authors owe you

I caught this blog post on the web, entitled, “Readers Don’t Owe Authors Sh*t.” *sigh*

To paraphrase: the writer criticized indie authors. Not all of us, just those who believe their readers owe them a tweet of support, review, or positive word of mouth for their books.

I don’t believe my readers owe me anything. I’m wondering: if we don’t solicit reviews, tweets, or positive word-of-mouth, how do indie authors survive?

It’s a fact that if you’re not a mainstream author, you have an uphill battle with a rock tied to your back. It’s awfully narrow minded to call it a “dream job,” as she said. I worked every bit as hard when I was an author full time as I do in the classroom now. 

But she’s right. Readers don’t owe authors anything, including positive word of mouth.

I will say, however, that if you’d like your favorite indie author to continue writing books, it would be a good idea to help him/her along the way. 

What does this indie author owe you? I pledge to give you the best, most entertaining product I possibly can. Plus, if I ask you for a review, I’ll do it nicely. 

 

The Kirkus Review

I’ve read Pyromarketing and so many other books on becoming a successful marketer of my work. 

Here’s the honest truth: if you’re like me, you just don’t have time to do it all well. 

You’re either a.) an indie author, like me, or b.) a self-published author. Even if you have the best contracted work on the planet, you’re going to spend at least $500 putting your book together. What’s your marketing budget after that? 

Guerrilla marketing means using sweat equity over cash. If your time is valuable, it’s pretty much the same thing. You can’t afford a PR person worth his/her salt for under a few hundred dollars a month (unless they’re a friend or an intern). So, what do you do?

Have you considered a Kirkus Review? It’s an avenue I’m looking into.

Kirkus has been around for a long time (since 1933). For $425, you get a 250-300 word review. Sounds like a rip-off? Provided you use it (you have the option not to), the review goes across the board — Barnes and Noble, Amazon, Ingram, Baker and Taylor, etc. Instant publicity, which is as good as gold in the industry.

Would you do it?  

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Here you are, my friends. I wanted to share it with you first. What do you think? Would you read it? Okay, okay, ARE you going to read it?

3 things I wish writers would STOP DOING

Truth. 

I’m an indie writer and publisher. We get publicity how we can. But many of us have no clue what we’re doing. We keep doing it, hoping that one day it will start working. 

A group of writers I used to belong to lost me as a member for this reason. Here are some of the things they were doing.

  1. Non-stop sales pitching. My friend Starr Hall calls it “sales b*tching.” Not, “interact with me,” but, “give me your .99 cents to $3.99 so I can make a sale.” It was like the internet book-selling version of a one-night stand.   
  2. Non-stop promotion of things nobody cares about. “I’m a guest on so-and-so’s blog today.” Okay, but why should someone read it if you’re just talking about yourself and your book? The content’s not engaging. 
  3. One-way conversations. You don’t want to be the guy at the party talking about yourself all of the time. Focusing on the sale tells the buyer one thing — once their money stops, so does your interest in them.  

If you have a group of readers who is loyal to you, try this:Instead of pitching them all of the time, focus on involving them as much as possible in the process. Give your readers an ARC to review for you and use their quote inside of you book. Throw a contest. Cut them a deal on your next book and make them feel special. Watch magic happen. Hope this helps!

Riddle Me This: Promoting your book through a virtual blog tour

I’ve talked about virtual blog tours here and here. I’m a little less enthusiastic about them than I used to be. Experience is the best teacher. 

I used a blog tour for my second book, The Revelation Gate. After reading my synopsis, almost 20 people signed up for my tour. Signing up for my tour = I send them a paperback copy of the book and they, in turn, post a synopsis, my bio, an excerpt from the book, and their review of it.

Out of 20 books, three people read and reviewed it. I’m no math expert, but that’s a 15% success rate. Or, for the glass-half-empty people, an 85% failure rate. A friend of mine said he sent of 60 copies of his book and got 15 reviews. That’s a 25% success/75% failure. 

Think of one thing where such a large rate of failure is acceptable. (My wife said baseball, but a .250 average is still pretty bad) 

What’s worse, even if somebody buys your book off of the blog tour (not your own website), how do you track that sale back to the person who made it?  

So, what do you do? You could try what I did for The Anarchists. I came up with a guerilla marketing campaign/contest involving t-shirts I had made (you can see them here), a “Name a Character” contest, and a one-week virtual blog tour using only e-books. 

You could do what Darcie Chan did: get a Kirkus Review ($425 and up), did some advertising, and sold her book for 99 cents. This isn’t a magic formula, but the approach is unique. Kirkus will review your book — if you like it, they will release it to libraries, schools, book catalogs, etc. You’re officially on the map. If you hate the review, you can kill it.

That’s a considerable amount of money on a tight marketing budget. Count the cost versus going the virtual book tour route. It might be for you. 

At the very least, I’d supplement the blog tour with a bigger picture approach. Make an affiliate program through Amazon or Smashwords and if readers of the guest blog on the particular site click through, it can be tracked AND the site owner gets a small percentage of your sale. 

My friend Kemya Scott says push your brand and your book as an extension of your brand, so people won’t limit their buying experience to just that book. Of course, I’m paraphrasing. 

What works for you? Use the comment section below to share the love! Hope this helps. . .

Back Cover Copy = Torture!

For me, writing back cover copy is a lot like the first time I met my wife. 

At first glance, I automatically wanted to meet her. But, without any idea of what I wanted to say, I didn’t want to get shot down either. My first words would determine everything.  

Those of us who are indie publishers or self-publishers understand how crucial it is to make a positive first impression. Misspelled words, grammar errors, and crappy copy are automatic death knells to book buyers. 

I want my readers to feel like I did about her, to be drawn in by the outer package enough to get to know the inside. Ironically, what she told me I said (minus the verbal fillers and the genuine awe at her beauty) is advice I follow when I’m trying to write copy for my books.

  1. Authenticity. She told me I didn’t try to “kick game” but I was honest with her. Readers appreciate honesty, directness, and the absence of fluff. She didn’t get the impression that I was selling her. . .even though I was selling myself (not literally!) 
  2. Brevity. I didn’t try too hard or say too much. From what I’ve read over the years, 125 words is pretty standard. If you’re having difficulty meeting the word count, give the sentences punch by restructuring verb clauses, eliminating adverbs, and cutting down on excessive prepositional phrases.

In addition, testimonials from other authors don’t hurt, but they are certainly difficult to get. Any authors out there with other “tricks of the trade” they like to share, feel free to do so.

The Power of Negative Reviews

Here’s one lowlight review on Amazon for my first novel, The Lost Testament. 

“I put the book down after the first few chapters. Who cares about the lost testament? NO ONE alive is from those times so why waste your time giving your opinion on “lost” things. No one knows and they won’t either until all of sudden, we gain all that knowledge.”

The Lost Testament is a Christian fiction thriller centered around the discovery of an apocryphal text written by Jesus Christ post-resurrection.

This young lady seems to believe that since no one from the first-century Christian church is alive, then nobody should care. Throwing out 2,000 years of history doesn’t seem like a good idea, and, at first, her opinion made me made enough to spit nails.

Then, I read an article about how a bad review can add balance to the opinions about your product. I’m still not sure if I believe it. After all, a bad review is a bad review.

On the other hand, the bad reviews are the first place I go when considering a new service or product. Not that I’m a pessimist, but I like to see what’s the worst someone can say about something and whether or not it has merit.

What are your thoughts?  

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